![]() ![]() 2.8.2 "Faith Healer (Conspiracy Theory)". ![]() It is unclear if the sample was used in the specified song. The sample is confirmed to not have been used in the specified song. The sample is not yet confirmed to have been used in the specified song. The sample is likely to have been used in the specified song but has not yet been confirmed. The sample is independently confirmed to have been used in the specified song. The sample is confirmed to have been used in the specified song by a past/present member of Depeche Mode, an individual involved in its production, or band archivist Daniel "BRAT" Barassi. The analysis of these sample sources and how they are manipulated is a popular topic of discussion amongst fans of both groups. Following his departure from Depeche Mode in 1995, Wilder would continue to employ sampling as a means to enhance the atmosphere of his music through the Recoil project, including passages of contemporary music, film soundtracks, sample library audio, and samples from his past work with Depeche Mode. During Alan Wilder's tenure with the group, Depeche Mode were among the most prolific acts to make use of sampling technology within a traditional pop music format. In audio production, sampling refers to the use of a portion (or sample) from a sound within another recording. ![]()
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